Passive vs active reamp6/5/2023 ![]() ![]() 3 modes DI: FET / Passive / Tube, Premium Jensen transformer in the. Re-amping is made simple with the Radial Reamp JCR! Just install it in your APITM compatible Lunchbox or rack and start recording. * Ground lift switch - recessed to prevent accidental use * 14-Gauge steel welded I-beam construction Radial Reamp JCR Passive Re-amping Device Features: ![]() A full bottom no-slip pad performs double duty by keeping the Radial Reamp JCR from sliding around when placed on a vibrating amplifier while also providing electrical and mechanical isolation. A welded I-beam internal skeleton provides a separate housing for maximum protection against external forces, which may cause stress on the PC board assembly while the outside bookend cover provides a protective zone for the switches, potentiometer and connectors. The Radial Reamp JCR features include balanced line level input, a custom USA-made transformer that converts your signal impedance for use with guitar amps, three-position filter switch, 180-degree polarity reverse to bring your signal into phase, and ground lift options for noise-free operation.Īs with all Radial products, the Reamp JCR is built like a tank to provide years of trouble-free performance. You could also use the Reamp JCR from a voice track to a distortion pedal to ad some grit to a performance. With the Radial Reamp JCR you can take a pre-recorded guitar track, and send it through a second distortion pedal and amplifier and then slightly delay the track to add a thick doubling effect. Get more out of your tracks with re-amping * Get more out of your tracks with re-amping Radial Reamp JCR Passive Re-amping Device at a Glance: Most electric guitar pickups are passive. The JCR takes care of your impedance, phase and connectivity issues, making re-amping quick and simple. Of all pickup types, passives are the most analogous to a simple microphonethey pick up the signal and pass it through a cable to your guitar amp or direct-insert (DI) box (more on those later). Why use just one amp on a track? Why not take the dry guitar signal and put it through another amp, or new effects, and re-amp it? With the Radial Reamp JCR it is easier than ever. That's not to say it might not be close enough for whatever you're trying to do, but since the question was sort of asked above, I thought I'd try to answer it.What do you do to make your guitar track thicker? Re-amp! The Radial Reamp JCR is the latest incarnation of the fabled John Cuniberti Reamp products, and it is ready for all your re-amping needs. That's not going to be the real deal, though. It's possible that the commercial reamp boxes include some sort of "pickup sim" filter for this purpose. You can try to fix some of this with a filter somewhere after the "tape" and before the amp. A Re-Amplifier with a rich and natural sound with openness in the top end, that makes you experience the sound that passes through this unit free of. I think that if the DI sounds good on its own, before re-amping, it's likely to come out a bit dark, possibly muddy, with some noticeable lack of detail after re-amping. It requires the failure of the amp/speaker/cabinet (itself a resonant low-pass filter) to make it sound acceptable. ![]() ![]() The signal from the preamp goes into an active crossover network. It's bright and edgy and kind of splatty. In an active system things are the same until after the preamp stage. That signal generally sounds like complete ass by itself. Plugging a guitar into a high impedance load (~500k for many tube amps, up to 1M or so for modern amps/effects) creates a resonant low-pass filter. I talked about the whys and wherefores (redundant, I know) at some length on this thread. A standard passive DI will not accomplish this. If you're looking to get a reasonable approximation of the sound you would expect from plugging your guitar directly into your amp, you must present the pickups with an appropriate input impedance on the way to the recorder. This may sound obvious, but the question above re: upgrading the DIs brings us to this point. The Radial X-Amp the active Reamp for professional recording engineers. I will say that no matter how you intend to get the signal from recorder>amplifier the quality of the result will depend almost entirely upon the quality of the recorded signal. Once the basic track has been recorded, replacing or adding tracks can be done. We've had that argument before, and I usually just throw up my hands saying "Fine, do what you want! It's your money!" I'm not going to touch the reamp box question. ![]()
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